The conversation turned to craft and music. Shaad Ali observed the distinctive staging of Muzaffar Ali’s early works, and the father explained how remaining rooted was central to his approach, from Gaman to Umrao Jaan. Music, he revealed, grew from poetry, philosophy, and surrender. The melodies of Umrao Jaan, he explained, were born from a poetic sensibility that demanded humility and collaboration. “Poetry makes you dream, and the poet must dream with us,” he said.
Then came Zooni, a dream that became a challenge. Planning a bilingual film in Kashmir brought logistical, cultural, and seasonal obstacles that ultimately halted production. Muzaffar Ali described the experience as “a dream beyond many dreams” and painful in its collapse. Yet, even in its unfinished state, its spirit endured. Kashmir, he reminded the audience, is more than a location; it is a living culture. “Films for Kashmir must be born in Kashmir,” he said, urging young local talent to carry forward its legacy.
Shaad Ali spoke about the ongoing restoration of Zooni, revisiting its negatives and soundtracks, and re-engaging with his father’s cinematic vision. Through this journey, he reflected on how cinema can heal, not just entertain. A touching video titled Zooni: Lost and Found was played, capturing the father–son journey of dreams, setbacks, and the hope of reimagining the film.
